Private immersive stories with live actors
01 / 10
What if your city knew your name for one day?
The barista, the taxi uncle, the stranger at the crossing — everyone has read the script. You haven’t.
02 / 10
Imagine a dinner for eight where seven guests are actors.
And only one reads the menu. You chose who.
03 / 10
What if the dragon your son drew at breakfast was waiting at the end of the street by four?
04 / 10
What if the offsite turned out not to be one?
A man in a hat asks each of you one question. By evening, yesterday’s plan is on fire. Literally.
05 / 10
Imagine a gallery where every painting is of her.
By artists who have never met her. She is the last to know.
06 / 10
What if the yacht left the marina with a crew — and a plot?
Every sailor knows at which hour the story turns.
07 / 10
What if your proposal were the last scene of a film she has been living in since breakfast?
08 / 10
Imagine your oldest friends in a bar that has been expecting all eight of you since 1999.
A stranger at the table knows the story none of you tells.
09 / 10
What if a birthday were not a party but a day that remembers everything?
The song from the first car. The table from the first date. The friend who flew in.
Private immersive stories with live actors
Written for one person — or a few.
In the real city.
Nothing in it exists before the first conversation.
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How it is written
Here is what they never see.
Five things happen before the day. None of them is visible on the day.
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01 / 05
One conversation.
Twenty minutes with the one who orders. Who it is for, and what they have never been given.
02 / 05
One script. Nobody reads it but us.
Two to eight weeks to write and cast.
03 / 05
Actors.
The stranger, the stylist, the curator, the man in the hat — professionals, rehearsed for weeks.
04 / 05
Doors that never open, open for one day.
Real places in the real city: a closed boutique, a gallery, a table for twelve.
05 / 05
One record. One copy.
Nothing is filmed unless you ask. Afterwards, the day is written down once — for them.
That is all they never see.
Here is what two of them did see. ↓
Here is what two of them did see. ↓
It happened
Two that were written.
- Ordered by
- Her sister.
- For
- Jennifer — on a Saturday she thought was ordinary.
- Lasted
- One whole day.
- The doors
- A stranger who knew her name, a fitting, a magazine cover, a gallery where every portrait was her.
“I was completely overwhelmed throughout the entire day by all the surprises.”
Jennifer Klingvall Gillberg · The one the day was written for
- Ordered by
- The two founders of a games studio.
- For
- Their leadership team.
- Lasted
- Two days.
- The doors
- A hotel, a bar, a forest, a fire. A man in a hat with one question. A last scene in white.
“It allowed us to travel into the future. To see all that we can be made us fearless.”
Jonas Antonsson · Co-Founder & CEO · Raw Fury
Seven doors
Which one is yours?
01 / 07
For two
A date, an anniversary, a proposal.
- Three hours. One evening.
- The streets you both know.
- Everyone you meet knows the plot. Not the one it is for.
02 / 07
For friends
One friend who thinks it is dinner.
- One night — 18:00 to the rooftop.
- From three to eight of you.
- One line each. She gets nothing.
03 / 07
For a team
A leadership team of two to twelve.
- Two days with an overnight — or one long evening.
- No facilitator, no flipchart, no exercises.
- Actors in from the first hour.
04 / 07
For a family
Children from five to twelve — and the grown-ups.
- The whole day. A parent is inside it.
- An island we choose with you.
- The drawing your child made becomes the key.
05 / 07
Dinner
One table, eight guests.
- Seven read the tickets. One reads the menu.
- A real restaurant — a room you cannot book.
- Four to twelve, if the room allows.
06 / 07
Yacht
One Saturday. Usually eight on board.
- About eight hours, cast-off to the last line.
- Your yacht — or one we introduce.
- A real skipper. A written crew.
07 / 07
The Exhibition
One visitor. One afternoon.
- A real gallery.
- Six to twenty portraits, painted from the photographs her people kept.
- Curated by people who have never met her.
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In their words
Three who were there.
“It is not often I get really WOWed, but this one deserves sharing. I think it’s the greatest gift I could have given her.
Martina KlingvallFounder & CEO · Telness Group · ordered the day for her sister
“Teleport is visionary and playful and reawakens, at an essential level, what it is to be human.
David GlassTheatre director · United Kingdom
“The best day ever. So happy that I was a part of this day.
Sanne FemlingA friend who was in on it
Questions
Notes for the one who orders a story
How much does a story cost?
There is no price list, because there is no standard story. The cost depends on the cast, the length of the story and what has to be built for it. We share it after the first conversation, as one figure for everything: the script, a cast rehearsed for weeks, every door in the story, and the telling afterwards. It is not a thing in a box. It is a day that is retold for years — and one record of it, in one copy. The budget you choose on the form tells us what size of story to write.
How long does it take to prepare?
From two to eight weeks, depending on the story; two days with a cast inside a company take up to ten.
Who arranges the places?
The restaurant, the room, the boat: by us or by a partner we introduce, depending on the story. You never book anything yourself.
Will the person or the group know?
That is up to you. Some know a story is coming, some do not — and the one it is for can know that something is coming, not what. In both cases nothing goes the way they expect.
How many people can take part?
From one person to twelve; larger groups on request.
Will it be filmed?
Film and photography — by request. Otherwise nothing is recorded.
Is it a quest, a game — or a film?
Not a quest: nothing to solve, no timer, no screen. Closer to a film you are inside. The people who write it make films, series and immersive theatre; the directors are used to plots with more than one road; the actors improvise; the make-up, the costumes and the sets are the real thing. Among our references — La Belle Époque and, without the extremes, The Game. The stories are warm, and they end well.
How did Teleport begin?
With a childhood dream of building a teleportation machine. The machine never worked; the idea did: a day that takes one person somewhere they could not have reached alone. The team came from the high-end side of film and series, theatre, magic, music and art. Writing those days is the thing we still cannot stop doing. Singapore is home; the rest of the world on request.