There is no price list, because there is no standard story. The cost depends on the cast, the length of the story and what has to be built for it. We share it after the first conversation, as one figure for everything: the script, a cast rehearsed for weeks, every door in the story, and the telling afterwards. It is not a thing in a box. It is a day that is retold for years — and one record of it, in one copy. The budget you choose on the form tells us what size of story to write.

From two to eight weeks, depending on the story; two days with a cast inside a company take up to ten.

The restaurant, the room, the boat: by us or by a partner we introduce, depending on the story. You never book anything yourself.

That is up to you. Some know a story is coming, some do not — and the one it is for can know that something is coming, not what. In both cases nothing goes the way they expect.

From one person to twelve; larger groups on request.

Film and photography — by request. Otherwise nothing is recorded.

Not a quest: nothing to solve, no timer, no screen. Closer to a film you are inside. The people who write it make films, series and immersive theatre; the directors are used to plots with more than one road; the actors improvise; the make-up, the costumes and the sets are the real thing. Among our references — La Belle Époque and, without the extremes, The Game. The stories are warm, and they end well.

With a childhood dream of building a teleportation machine. The machine never worked; the idea did: a day that takes one person somewhere they could not have reached alone. The team came from the high-end side of film and series, theatre, magic, music and art. Writing those days is the thing we still cannot stop doing. Singapore is home; the rest of the world on request.